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Shopping for Firewood

THE LOUNGE | SLICE OF LIFE Rajitha Gopal, in a reflective piece, goes back to her childhood and reminisces as to how shopping for firewood used for heating water helped her learn some small yet important lessons in life.

Review of Jerry Pinto’s ‘Em and the Big Hoom’

THE LOUNGE | TURN OF THE PAGE Em and the Big Hoom inspires you to celebrate every moment of your life. It inspires you to reach within yourself. Em connects you to your true self, says Priya Gopal, and insists that it is a must-read.

Thoughts on Magalir Mattum

THE LOUNGE | STORYBOARD Vani Viswanathan discusses some thoughts on what she considers a fairly feminist movie, Magalir Mattum

Review of Jeet Thayil’s ‘Narcopolis’

THE LOUNGE | TURN OF THE PAGE Jeet Thayil’s Narcopolis is certainly illuminating as well as luminous with the power of its magnificent prose, says Kalpanaa Misra, in her review of the book and adds that it is a must-read.

Review of ‘The Hope Factory’

THE LOUNGE| TURN OF THE PAGE In ‘The Hope Factory’, Lavanya Sankaran tells a poignant tale of modern urban India that juxtaposes modernity and tradition, affluence and poverty, but it lacks the punch that was delivered in her first anthology, says Deepa Padmanaban.

Layers

THE LOUNGE | THE INNER JOURNEY Our true inner self gets buried deep within layers of external influences, and when we touch that core, we realise what a sublime experience it is to be in touch with that self. Rahul Seth pens a reflective piece.

Chilli Trails

THE LOUNGE | SLICE OF LIFE Vani Viswanathan talks about the different chillies of her life.

Falling Down: The Character might be American, but the Frustration is Global

THE LOUNGE | STORYBOARD | FILM FREAK Falling Down is the tale of the unpredictable antics of a man with misplaced ideologies and a subtle commentary on the society’s descent into chaos, says Yayaati Joshi.

Death Comes to Pemberley – An Insipid Sequel

THE LOUNGE | TURN OF THE PAGE A sequel to the classic Pride and Prejudice, ‘Death Comes to Pemberley’ is a vapid read, capturing the magic of its successor only in parts, says Priya Anand in her review of the book.